Winners of Ajyal announced

Emir visits 5th Ajyal Youth Film Festival

 05 Dec 2017 - 8:07

Emir visits 5th Ajyal Youth Film Festival
Emir H H Sheikh Tamim bin Hamad Al Thani visited yesterday the fifth Ajyal Youth Film Festival, organised by Doha Film Institute, at the Cultural Village Foundation (Katara). The Emir toured the amateurs’ corner exhibition as well as siege-themed exhibition LeBlockade. The Emir also met at the Drama Theater with the young jurors and youth, who review the films and pick the winners of Ajyal awards at its closing ceremony.

The Peninsula

The fifth Ajyal Youth Film Festival presented by the Doha Film Institute yesterday announced the winners of its Ajyal Competition, voted by Ajyal Jurors in three categories — Mohaq (jurors aged 8 to 12), Hilal (voters aged 13 to 17) and Bader (voters aged 18 to 21). 

The winners in Mohaq category are Best Feature – At Eye Level directed by Joachim Dollhopf and Evi Goldbrunner (Germany/2016), Best Short – Sing directed by Kristóf Deák (Hungary/2016) while in Hilal category, winners are Best Feature, The Breadwinner directed by Nora Twomey (Ireland, Luxembourg, Canada/2017); Best Short: Mare Nostrum directed by Rana Kazkaz and Anas Khalaf (France, Syria/2016). In Bader category, Best Feature: Loving Vincent directed by Dorota Kobiela and Hugh Welchman (UK, Poland, Qatar/2017); Best Short: All of Us directed by Katja Benrath (Germany, Kenya/2017) were the winners.

There were 48 films in the Ajyal Competition this year; in the Mohaq programme there were 4 feature-length films and 12 shorts; in Hilal – 4 feature-length films and 10 shorts, and in Bader – 4 feature-length films and 14 shorts. Each of the Ajyal juries voted for the Best Film prize for their favourite short and feature-length films, for a total of six awards. 

The winners were honoured at the closing ceremony that was followed by the screening of Loving Vincent (Poland, UK, Qatar), a co-production by the Doha Film Institute, and directed by Dorota Kobiela and Hugh Welchman. The film also won this year’s Audience Award. The ceremony also included a special screening of musical project film Summer Cloud directed by Ali Al-Tayeb and Mohammed Sharif and demonstrates the unity and solidarity of Qatar’s vibrant nation and how traditions and heritage are deeply rooted in their daily lives.

The winner of the Bariq Award, which is given by the youngest festivalgoers, children aged under eight, was Little Bird and the Caterpillar (Switzerland/2017), a whimsical animation about adversaries becoming friends in which a little bird tending to the leaves on a nearby branch is confronted by a pesky caterpillar that eats all the buds.

Jurors voted on their preferred name for the recently unveiled mascot of the Ajyal Youth Film Festival. Named ‘Shehab’, the falcon-like character embodies Ajyal’s five values of curiosity, empowerment, film, friendship and joy, and will represent future editions of the festival.

Earlier, the festival also awarded the winners in the Made in Qatar programme, presented by Occidental Petroleum Qatar, that included 16 films by Qatari directors and those who call Qatar home.

The winners are: Best Narrative: Amal Al-Muftah’s Smicha (Qatar/2017); Best Documentary/Experimental: Rawan Al-Nassiri and Nada Bedair’s Treasures of the Past (Qatar/2017); Special Jury Award: Aisha Al-Jaidah’s 1001 Days (Qatar/2017) and Nibu Vasudevan’s Walls (Qatar/2017); Special Jury Documentary/Experimental Award: Rawda Al-Thani’s I Have Been Watching You All Along (Qatar/2017)

The Mohaq ‘Best Film’ winner, Joachim Dollhopf and Evi Goldbrunner’s At Eye Level tells the story of ten-year-old Michi, who has grown up without a father. After his mother dies, Michi finds an unsent letter announcing her pregnancy, addressed to a man called ‘Tom’ but when father and son are reunited, Tom isn’t exactly the person Michi imagined him to be.

The Breadwinner, the opening film of the fifth Ajyal Youth Film Festival, directed by Nora Twomey and executive produced by Angelina Jolie, is an animated Afghan tale that puts a young girl’s will and determination in the spotlight. 

Loving Vincent is a first of its kind animation set a year after the death of Vincent van Gogh, each frame of which has been hand painted to look like it is a series of animated oil paintings executed in the artist’s signature style. Sing is the story of little girl unfairly told by her teacher that she cannot sing and Mare Nostrum explores the reasons why a Syrian man finds himself with no choice but to put his daughter’s life at risk. 

All of Us deals with a real incident in 2015, when Al-Shabab terrorists attacked a bus of Kenyan travellers. Muslim passengers protected their Christian countrymen by refusing to identify them to the terrorists. 

This year, the Festival once again featured the Ajyal Talks, a series of open discussions. Subjects included child trafficking, the way media influences perceptions and the power of art in overcoming adversity, and concluded with a special conversation with visual artist Shirin Neshat.

Katara Cultural Village was the Cultural Partner of the Festival; Qatar Tourism Authority was the Strategic Partner, and Occidental Petroleum Corporation and Ooredoo were the Principal Partners.